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MOTHERHOOD AND SOCIAL HOUSEKEEPING
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This
graphic, which originally appeared in the New York Evening
Journal, October 1915, was reprinted in the National
Woman's Party Suffragist magazine, a rare use of
the motherhood claim by the NWP. |
How far from the mainstream these images
of prison actually were, however, can be gauged by examining
the predominant imagery of the suffrage movement. Mainstream
suffragists, represented by the NAWSA and its state affiliates,
developed a powerful range of images that stressed the nurturing
and redemptive qualities of motherhood and social justice. Emphasizing
women's role in the home, the guardianship of children, and
the building of communities, NAWSA distributed a variety of
propaganda - postcards, cartoons, fliers, buttons, and banners
- that transformed women's role as homemakers and mothers into
a compelling political rationale.
A sub-set of images under the categories
of Motherhood and Woman as Enlightener were: Woman
as protector and guardian - of children, home, and society;
and Woman as an instrument of social
justice and Women moral arbiter for
the nation. Unlike the British suffrage
movement, mainstream American suffrage stressed "social housekeeping."
Drawing parallels between housekeeping and politics, women extended
their influence outward from the home into the public sphere,
employing images promoting protection of the home, and the "cleaning
up" of "dirty politics" through "social housekeeping." As Jane
Addams would announce, "Politics is housekeeping on a grand
scale."
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Mainstream
suffrage postcard touting women's ability to clean up the
"Dirty Pool of Politics," combining an appeal for the vote
based both on women's presumed "higher moral nature" and
their greater abilities at "social housekeeping." |
Suffrage postcards and cartoons were widely
circulated depicting a mother protecting her family and home
from the evils of an all male political system based on greed
and corruption. Pro-suffrage cartoons emphasized woman's ability
to "clean up politics." Cover pages of The Woman Citizen, official
organ of the mainstream NAWSA, pictured a woman using her political
power to keep "booze," "vice," and "corrupt politics" from "the
home."
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