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The proverbial
"Babe in the Woods" expressing a wish for her
mothers enfranchisement.
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MAINSTREAM USE OF DOMESTIC IMAGES AND
MOTHERHOOD
By
the end of the 19th century, American suffrage rhetoric based
on motherhood and the "special" qualities of woman's nature
became almost universal. Mainstream women's movement leaders
such as Carrie Chapman Catt, Jane Addams, Frances Willard, Anna
Howard Shaw, Ida Husted Harper, Alice Stone Blackwell, and the
major suffrage journal of the NAWSA, The Woman's Journal,
all championed the creed of Motherhood under the banner of "Social
Housekeeping." Society was to be uplifted by woman's higher
moral nature (superior to that of man, so the concept held)
as that morality was infused into the social and political system.
Political and social reform became a moral and civic necessity
that would enable women to carry out effectively the work of
"woman's proper sphere." Rather than intruding into the male
sphere, the rhetoric stressed that woman's sphere was expanding
outward to include the community and the nation as the larger
"home." Women needed the ballot, so the mainstream argument
went, not because they sought to intrude into the male sphere
of activity, but in fulfillment of woman's traditional
[3] role.
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Postcard
with a baby dressed in yellow in a familiar appeal for
the vote based on motherhood and protection of the family. |
Themes of women as moral arbiters of society,
keepers of cultural tradition and agents of cultural transmission,
nurturers of children, philanthropists to the less fortunate,
and mothers of the race were extensively emphasized. These themes
fit perfectly with the prevailing cultural concepts, held by
both men and women, about the role of women in society. Stressing
these themes opened up the arsenal of suffrage arguments to
a wide range of new strategies and persuasive tactics. With
the reawakening of the suffrage drive in the early twentieth
century came a proliferation of political materials aimed at
selling the movement.
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